Science Metropolis - Boston

We were eating steamed dumplings from the Chinese place on Yonkers Avenue. The place where they know our friend Cole by name, by sight. “You moved?” the delivery guy asked when Cole once opened my apartment door.

“Are you serious?” I asked.

“Yeah”-and he laughed the laugh where his hair shook. Nervous laughter, but he wasn’t kidding. Joe’s eyes widened and he repeated: “I would not have any kids if I were you.”

“But that’s really . . . sad . . .” I said, stumbling. Not that there was anything in the oven, or that I was even sure I ever wanted kids.

“I’m just sparing my future generation the absolute disaster we’ve created.”

Joe wasn’t an apocalyptic guy. He didn’t even have the personality to exaggerate with a straight face. He was my one friend who was really into science, and I hung on to every word that came out of his mouth, knowing everything was rooted in tireless experimentation and research. He reached for the last dumpling.

“You’ll see. In ten years-you’ll see what I’m talking about.”

– by Melissa Barrett, Poetry Correspondent. Photo from istockphoto.com

Happy Earth Day from Science Metropolis. The holiday has taken on a new significance with growing awareness about global warming. Boston Mayor Menino is talking big about turning Beantown into Greentown, but is the city taking the right steps? Science journalist Lauren Rugani shares her thoughts:

In an effort to reduce carbon emissions, 28 cities around the world turned off their lights between 8:00 and 9:00 p.m. on March 29, 2008. Although many Bostonians participated in this event, known as Earth Hour, the city of Boston did not publicly support the event.

Kudos, Boston.

Earth Hour organizers argue that the goal of the campaign is to raise awareness about the connection between energy use and climate change, not to boycott electricity. Unfortunately, many Boston residents interpreted the movement literally and are angry that Boston did not participate. One Boston.com discussion board displays numerous Earth Hour posts: “Boston should have invented it,” says one user; “Why make it one hour? Make it a week, then a month,” says another.

The problem with such organized, grand-scale events is that they receive too much media attention, while doing relatively little to actually help the environment. It’s time to stop “raising awareness” and time to start taking action that will make a difference - which is exactly what Boston is doing.

Popular Science magazine ranks Boston as the third greenest city in America, out of cities with populations over 100,000. The criteria for this ranking includes renewable electricity sources, public transportation, green spaces, and recycling programs. Boston and Cambridge (number six on the list) are the only places on the East Coast to make the top 15.

Mayor Thomas M. Menino and James W. Hunt, the Chief of Environmental and Energy Services, recently released a Climate Action Agenda and Executive Order that outlines goals for a greener Boston. Menino hopes to reduce greenhouse gas emissions to 7 percent below 1990 levels by 2012. Since many emissions come from city buildings, all new developments must be certified by the Leadership in Energy and Environmental Design (LEED) Green Building Rating System.

Menino also plans to purchase over 11% of the city’s electricity from renewable sources such as wind or solar power. City diesel vehicles run on low-sulfur fuel, school buses are retrofitted with technology to control pollution, and Boston sponsors the Clean Air CABS program, which offers rebates and tax credits to companies who drive electric, hybrid, or low-emission alternative fuel vehicles. Finally, the mayor aims to plant 100,000 new trees in Boston by 2030.

But the impact from these initiatives will take time. Unlike Earth Hour, the success of these programs cannot happen at the flick of a switch or be measured by a meter reading.

In the age of instant coffee, instant messages, and instant approvals, it’s no wonder that the instant gratification from Earth Hour was evident around the globe. But it’s not about the big things you can do once a year; it’s about the small things you can do every day. Buy more efficient lighting, shut off your computer overnight, and take the T to work. Be patient, Bostonians, and your efforts will be appreciated by generations to come.

Photo from iStockPhoto.

behind the metal doors a dusted acre

of schoolhouse technology. sixty

or more but now even just one

too heavy.

           the shrine

we call it, the tour guide said,

because      the light, the purr

of fan, nearly breathing—and all

lined up like this, you get

the feel of cathedral, slope

of votive candles.

                 of course they pretty

much did worship the stuff, she added,

leading the edge of tourists

in and purblind, they foraged for

anything—glint of steel rolling

from a squared neck or bulbs

naked, obvious as teeth. but

only black

                    wide open

inarticulation people must have

once known looking at the sky.


    in the hips

of an old school they were found, settling

like a necklace of prehistoric bones, and placed

here, in a room wired for the twenty-first century.

                               Electricity—

sixty-four bulbs at six hundred watts, you  

might even hear it, she said—small motors

     of minnows, her voice

an ellipse handswidth apart through

the undimensioned room, and looking

up, a few dozen laundry lines

divide the darkness, or cracks

in a ceiling, who knows—because

you can always make out

something, even when you blink

and you blink because nothing’s

really there.

         Stasis in darkness and then

the countdown: ready set sudden

splash of squares, hitting like

the two-tone wings of spring moths.   

                                           the light

on, projectors now projecting—the machines

from their carapaces blind

and make hostage of

each silhouette, tacked to the wall

and dark as the first time you had sex

because it wasn’t love.

– by Melissa Barrett, Poetry Editor

The problem with climate change is that it’s abstract. We’ve all heard that carbon dioxide levels are rising, along with the average global temperature, but we can’t feel these changes like we can the effect of a space heater on a chilly room. Add a bitterly cold Boston winter, and the threat of global warming doesn’t seem so urgent. Magazines and newspapers try to move us with photographs of polar bears, pollution, and the carbon cycle, but this is an issue that needs more than a thousand words.

“Greed, Guilt & Grappling: Six Artists Respond to Climate Change” at the Boston Center for the Arts‘ Mills Gallery does a satisfactory job of making global warming relevant and visible, but sometimes at the expense of making visitors feel guilty about their lack of eco-awareness. The exhibit, co-organized by visual artists Mags Harries of Cambridge and Clara Wainwright of Brookline, will run through March 30 and is free to the public, although a donation of $5 is suggested.

The most interesting works allow visitors to see the impact an individual can have on environment. Instant Noodles by Michael Sheridan uses 400 empty noodle packages tossed into a corner to symbolize the mass of waste even a simple meal can accumulate over time. (He also asks visitors to factor in the use of palm oil to make the product, another serious environmental issue). On the ceiling above the main gallery is Carbon Footprints by Lajos Heder, drawings of shoe imprints created from a mix of acrylic paint and the carbon released from the 2007 California wildfires. The piece is powerful because it turns the invisible - our carbon dioxide emissions - into a black substance we can see, taste and touch.

Visitors are asked to write their own reactions to climate change on the wall where the foot path begins, part of the exhibit’s goal to encourage dialogue on the topic. While some of the messages seemed right out of the Greenpeace handbook, such as “Luxury living perpetuates global warming” and “I want my kids to build a fort in the woods one day,” others were permeated by eco-guilt. Phrases like “I hate relying on public transportation” and “I feel guilty for enjoying my cab ride,” even caught the attention of Boston Globe reporter Amy Farnsworth.

The exhibit goes quickly from depicting abstract environmental concepts to climate change activism. This was most evident in The Eco-Shaman Robes by Clara Wainwright. Visitors are meant to put on one these well-crafted and colorful garments, each portraying some kind of endangered critter, walk outside and engage strangers in conversation about climate change. While audience participation does bring an issue like global warming to life, because of the politics and the obvious bias, the robes come off as oddly cultish. (Greg Cook at the Boston Phoenix offers another perspective on this example in his review of the exhibit).

Most frustrating of all was Global Yawning for a Small Planet by Jay Critchley, a video exhibit in which two side by side projectors screened footage of people yawning. His argument is because yawning is a social act that can be shared, so should the act of fighting global warming. The problem with this logic is that yawning is instinctual while changing one’s behavior requires thought, consideration and a plan.

Overall, the exhibit is an interesting fusion of art and science, admirable for engaging the public in a dialogue about global warming. Creating work that maintains a balance between reflective and didactic without making exaggerated scientific claims is an effective way to leave visitors beaming with eco-excitement.